Studio Notes 21/06/19

My Brother Scan N Cut machine arrived this week, and after a slightly tense first day of banging my head against a wall of new software and unheard of file types, I think I’ve cracked it.

I mean, I can’t believe I’d never heard of these types of machines before!

My brain is fizzing with thoughts of all of the things I can make. In fact, I was able to start a new coin prototype without wearing out my hands, and this one is much better than the one I lost.

What swung it for me when deciding on a Scan N Cut was the fact that I could scan in my own drawings. I have no interest whatsoever in replicating someone else’s designs, so being more able to use my own spontaneous freehand drawings was a big deal for me.

Navigating between art and craft

One of the things that interests me is how these cutter plotter machines are marketed. There are no-frills vinyl cutters that are priced for industry, and then there are machines pitched squarely at mostly female crafters, with lots of soft lines, pastel colours, flowery decoration and cutesy names.

These home maker machines have a lot of potential for all sorts of really ambitious construction projects, but you’d think they were only for cardmaking or scrapbooking.

Sometimes the biggest difference between art and craft is simply purpose – you could argue that originality and derivativeness play a part, but then that would eliminate the Jeff Koonses and Koons-lites… so purpose and intent seem to play a huge part.

Designing my second journal is taking longer than I thought…

I’d wanted to be able to produce a second journal within a week – ambitious, I know, but potentially feasible. The problem was that I chose a topic that required a bit more research, whereas my first journal was based on an article with lots of ready-made questions.

These aren’t just blank notebooks – the prompts and questions have to be relevant and thorough.

Besides that, I had to revisit the cover design for the first book and revamp it as I wasn’t totally happy with the print. That took about a day’s work.

Naturally, that means recreating the book mockups, which will eat up a chunk of another day… ah well. It’s still been a great week for getting stuff done – the ball has definitely started rolling again!

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Studio Notes 21/06/19

Studio Notes 14/06/19

Last week I was feeling deflated and couldn’t get my head around going back to work on my sculpture. I couldn’t decide on the right equipment to buy either, so it felt as though I was spinning my wheels.

Just this minute I’ve settled on – and bought – a Brother Scan N Cut – so the design and construction process can resume once it arrives!

KDP self-publishing

In the meantime I had one good idea – ditch everything for a while and do something totally different. So with a couple of days’ worth of concentrated effort, I produced and published my first guided journal.

I’ve published e-books before – just cleaned up academic essays – but never tried publishing a paperback myself.

A few months ago I had taken out a 2-month Skillshare trial and came across a course on publishing low/no content books. Because of my longstanding (and long deferred) interest in writing a graphic novel, I played the videos in the background whilst cleaning up the studio and had a lightbulb moment.

The AHA! bit was that I could definitely create journals that I’d be proud of – and I have a mad love for notebooks, so two birds with the single rock, right?

The bleurgh bit was knowing that I had too many ideas on the go at once, so it sat on the back burner. That is, until last week when I decided to re-watch the Skillshare videos and do it straight away.

Designing and publishing

I didn’t create a blank book – it was more of a guided notebook based on a popular article I’d written on my finance blog.

So with a relatively high content level, I just had to design the page spreads, format and lay out the text, design the cover illustrations, export them all in the right formats and upload.

I say, “just” had to do all that – ok, it was a solid block of work, but the foundation’s been laid for at least four more notebooks based on my existing articles.

If you want to have a go at creating journals yourself, here are the resources I used:

  • DesignCuts for illustration packages. They have freebies every Friday that you can use in commercial projects.
  • Creative Market for fonts. They have free goods every Monday, including fonts.
  • RawPixel for stock imagery. You can get a free trial (and use the photos you download after your trial ends).

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Studio notes 14/06/19

Studio Notes 07/06/19

What goes up must come down… it’s always hard to say goodbye after a visit, and I’m well and truly fed up with more than 20 years of living an ocean apart from half of my family.

But hey, that’s the life of the immigrant/expat, and you just get on with it.

Back to that mould-making failure

As I was writing this, I heard an amazingly salient phrase in a podcast – “never waste a failure”.

It was directed towards entrepreneurs and I immediately thought about the ways that I’ve learned from failure before, but I’m staring despondently at this mould that I thought would be the one, and wondering how to get my head back in the game and start all over.

So now I’m seriously having to think about everything I was considering about my working methods before: why I naturally gravitate to doing everything by hand and how I can get over that.

It’s a tug-of-war between the conceptual and the physical artwork that I go through all of the time, and to be honest it’s still wigging me out right now… but I’m just going to get over it and invest in some equipment.

Designing and publishing

Since the mouldmaking and comedown from family time I’ve had to jump into something completely different – creating journals – to fulfil two objectives:

  • Cheer myself up by tackling a project on my long-list
  • Create more recurring revenue

This project can cross over between my art business and my separate web publishing business, but I’m focusing on creating products for my other business first, since it’s the bigger one, and as it’s less reliant on imagery I should be able to create several different books that will form a single series.

Distractions are usually something I beat myself up over, but this time around I definitely need it!

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Studio Notes 07/06/19

Studio Notes 31/05/19

The last week has been fantastic – we’ve had a great time as a family and worn ourselves out traipsing around Lancashire. I made sure to get a few reference photos of Mum for a future portrait and as usual, she gave me instructions to magically erase a few decades.

A dismal failure with Composimold

I cut open the mold I made last week and found that although the disaster with the wax that I had anticipated hadn’t actually happened, another disaster took its place.

The paper and card form stuck to the Composimold and disintegrated. Maybe it was because it stayed in there for a few days… maybe if I’d have cut it out straight away it would have been alright.

So with my positive destroyed, I really needed the cast that came out of it to be a hit. Unfortunately, the wax melted the Composimold in parts, split the sides and lost lots of the detail. All of the modeling work from the last few weeks was wasted.

Right… next week I’m back to the grindstone I guess. This week I’m too busy to be upset about any of it.

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Studio Notes 31/05/19


Fonts For Drawing

Following on from my previous post about fonts for painting, I wanted to put together a list of my favourite typefaces that are reminiscent of drawing styles.

Typefaces for artists: fonts for drawing

Typefaces for drawing often draw on (sorry) a particular style of broken or wavering line quality that immediately suggests the involvement of an imperfect human hand.

Although that’s not the one and only thing that denotes a hand-drawn mark, it’s one of the features that catches our interest and tells us straight away what this typeface is about.

We think of hand-drawn lettering as honest, simple and pure: the most down-to-earth, natural form of art we can produce. So even if your project has nothing to do with art but needs to pinch some of that creative mythos, these fonts are an ideal place to start.

Macarons Font Family

Macarons is a hand-drawn font package that comes in five weights:

  • Macarons Light
  • Macarons
  • Macarons Bold
  • Macarons Sketch
  • Macarons Bold Sketch

There’s also a set of “catchwords” and ornaments included. I really like this typeface – it has a serious tone to its form that’s undercut by its wibbly-wobblyness. It’s as though Times New Roman stopped taking its medication.

Even better, it looks as though it could lend itself well to linocut or woodcut styles.

Buy on DesignCuts

The Hand Font Collection

The Hand - hand drawn font

The Hand Font Collection contains 7 fonts in different weights – light, regular, bold, black, xblack and two dotted versions. That’s a great package that covers a range of styles.

The Hand Font Collection - 7 hand-drawn typefaces

The Hand Light is reminiscent of the faint trace of a mechanical pencil (reminds me of Technical Drawing at school) or fineliner, whereas The Hand Xblack gives you an impression of wielding a felt-tip marker.

The dotted versions are great for complementing stippled effects.

Buy on Creative Market

Thornback

Thornback hand drawn scribbly font

Thornback is an extremely charming scribbly font that somehow reminds me of the Sunday comics, but at the same time could just as easily be tipped over the spiky edge of anarchy.

It’s a great typeface for anyone who wants to keep it loose, but still maintain and element of control – this has both.

Buy on Creative Market

Chalky Letters font collection

Chalky Letters font for drawing

The Chalky Letters font collection has a beautiful, delicate illustrative quality to it, and it’s amazing how many combinations you can make.

This collection contains 17 fonts in all, including a set of decorative extras. It’s hard to imagine getting through all of the possible combinations!

Chalky Letters fonts for drawing

I’m really impressed by this font package. Also, with just a bit of imagination this could be effectively used to illustrate other dry media such as pastel and charcoal – it doesn’t have to be all white-on-black.

Buy on Creative Market

Earth Elements Typeface

Earth Elements Typeface for drawing

I almost bypassed Earth Elements, as the jagged lines of the chalky capitals didn’t quite grab me at first. However, once I saw the quirky, flimsy lines of Earth Element soft, the script type included in this package, I was hooked.

The soft script reminds me of doodling with a 6B pencil on not-pressed paper, and the regular script looks like a charcoal attack. It’s a fantastic duo, and the bonus vector pack has some great, smudgy elements to complement the text.

Buy on Creative Market

Faun Font Duo

Faun Font Duo - font for drawing

Faun is a fun, over-the-top, impressive decorative display font. It would be absolutely perfect for accompanying adult colouring books or for working alongside a strong graphic style, but beware – something this big and bold can easily overshadow artwork and steal the show, so use wisely!

Buy on DesignCuts

Quendel Happy Family Fingertip

Quendel Happy Family Fingertip - fonts for drawing

I’m glad that I found Quendel Happy Family Fingertip – it’s not easy to figure out what’s going on with this font thanks to the confusing imagery which shows all four of the fonts available in this “family”, but this one is the Fingertip version only.

It’s a negative space typeface – imagine drawing with your finger on the beach, or pushing around some graphite dust on a smooth board. I think it’s really interesting and gets to the heart of mark-making.

Buy on Creative Market

My fonts for drawing have incorporated styles reminiscent of finger painting, pencil, charcoal, fineliner and chalk – I’m pretty pleased with that! I hope it’s helped you as well.

More like this: fonts for painting.

Typefaces for artists: fonts for drawing

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